yo yo yo yo yo

Émotion: la douleur de voir partir ainsi pour toujours quelqu’un qu’on a aimé éperdument, ne serait-ce que l’espace de 12 secondes et 3/10.
 [Comment faire l’amour avec un Nègre sans se fatiguer]

A year and a half of nonstop bouncing between geographies has left some marks. Six weeks lost in New York’s wounds, two weeks of sighing over Toronto’s halting flakiness, eight weeks floating though the light and open longing of Lisbon, seven weeks of tender patience and uneasy alertness in Port-au-Prince, plus handfuls of lovely or bewildering stops elsewhere thrown in between. Lather/ rinse/ repeat, for the nineteen months since I left my last home (temporary, still) in the Caribbean.

You can get good at packing and unpacking. That’s not hard. You can rise above the physical exhaustion of constant motion to let those motions become normal. Everywhere, deflecting the same questions on loop — Where do you live now? How long are you in town? — automatic, ritual, white noise. The hardest adjustments are internal. The spaces between people are not the same everywhere, our connections linked by different inputs/ outputs, and you are the international travel human adaptor. When you don’t have a single default or home, there is no normal to disappear back into after a particularly rattling trip. The trip doesn’t end. Everything feels weird all of the time — most of all, you.

One week you’ll greet everyone you meet with a kiss on the cheek, smile warmly, accept the dried fruit or steaming coffee offered, answer thoughtful queries from near-strangers on the health of family members, on the health of your heart. The next, you’ll be in a place where people you’ve met twenty times will pass without a nod. You’ll remember, slowly, that this snub is normal here, back in the place of fickle moods and ritual ghosting of friends and lovers. Here, spaces between people can stretch so far, the waters between them can run so cold. Adapt your touch accordingly.

(Once, freshly arrived from that place and not yet warmed to the new vibe, I breezed past an ex and his friends at a bar without a glance. I did it without thinking, cool walls still up. He confronted me later, face imploringly close — Why didn’t you say hi? — and I felt shame. I couldn’t be this way here, with him, and didn’t want to be this way anywhere, with anyone.)

“We’re going to the beach.” K pings me on WhatsApp mid-morning on a Sunday. The roads were clear, a blessed, temporary opportunity for escape amid weeks of blockades. “Call J to pick you up. He’s leaving his house.” Fifteen minutes later, afternoon plans pushed off, bikini on, towel rolled, ready for a day with the sea. Late afternoon on a Tuesday, a source calls to say she’s stuck in traffic, or there’s been a breakdown, or someone was shot, and could we meet across town in an hour or two instead? Time, space, mortality, everything fluid and unfolding, shifting according to the tides of the moment. That place, full to bursting but always flexible. Then a connecting flight brings you, like a space ship, to this other place where time is rigid. It’s FB invites and advance guest lists, emails that begin apologetic for the late notice, but are you free a week from Friday? R.S.V.P. Interested in attending? Maybe. V busy. LMK. Time flows through spaces differently, and vice versa. Adapt your clock accordingly.

Passport stamp from a teeming city of openness and eager ease for exchange to a smaller city of territoriality and fragile selves. Both, my cities. From here, where you listen tense and watch wary for danger before you turn the corner, to there, where other women walk carefree and alone at night with headphones on ten. Another plane to another place, where male gazes are predatory and pointed, and then off again, to where men are too nervous to give their feelings away with anything intimate as a gaze. The spaces between bodies, inviting or dangerous or confusing. Adapt your heart accordingly.

Adapt, adapt, adapt.

There’s a way you come to know yourself in motion: limber, unchained, unsupported by the usual pillars, a guest and unentitled, at mercy of the winds, carrier of changing skins and privileges, torn-out pieces of self buried lovingly throughout. It feels nothing like the exiles I threw myself into during my twenties. With exile, you’re always confronted by what and where you are not, existing in contrast.

I’ve been reading Dany Laferrière (L’Immortel!) and Mia Couto together this past week, sinking into their respective exiles in 1980s Montréal racism and lust or wartime Mozambique bush imaginary from my still-temporary bed in Toronto:

The cycles of light and of the day were a serious matter in a world where the idea of a calendar had been lost. Every morning, our old man would inspect our eyes, peering closely into our pupils. He wanted to make sure we had witnessed the sunrise. This was the first duty of living creatures: to watch the creator’s star emerge. By the light preserved in our eyes, Silvestre Vitalício knew when we were lying and when we had allowed ourselves too much time between the sheets.
— That pupil’s full of night.
At the end of the day, we had other obligations that were equally inviolate. When we came to say good night, Silvestre would ask:
— Have you hugged the earth, son?
— Yes, Father.
— Both arms open on the earth?
— A hug like the one Father taught us to give.
— Well, go to bed then.
 [O Afinador de Silêncios]

I admitted (finally, again) to myself that I’d like to try to sit still somewhere for a little while (again, finally), at least longer than it takes to finish a TSA regulation mini shampoo. A default home base, a combination launch/landing pad filled with books and artwork liberated from their boxes, my notes and files all in one place, a mailing address, a single normal to relax into between overlapping worlds. Sitting still will help me think, I told myself. I’ve been wanting so badly to write, to read, to just be, without the consuming distraction of booking flights, organizing sublets, shipping, visas, exchange rates, negotiating which shoes to bring, recalling which belongings I have stored where, keeping track of my SIM cards, or swapping out slang and pop culture currencies so damn often — operational code switching ramped to an international scale. (How I managed a transition from news to longform through all of this is baffling.) More than anything else, I’m tired of mourning the distances that matter. I’ve missed some important goodbyes, and it’s hard to forgive myself for those. Friends doubt that I can sit still anymore, and say so to my face. No no, I insist, it will be a relief to give myself freedom from movement.

Beginning to plan for stillness, just considering gig offers and longer-term sublets and imagining alternate lives in a couple of cities, has thrown me into the worst creative block I’ve experienced in years. My active bouncing fighting mind, panicked, held itself hostage through most of December. Come on, I coaxed, we have deadlines to get through. It, too, will have to adapt.