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bodies of water

Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.

So the point of my keeping a notebook has never been, nor is it now, to have an accurate factual record of what I have been doing or thinking. That would be a different impulse entirely, an instinct for reality which I sometimes envy but do not possess.

I sometimes delude myself about why I keep a notebook, imagine that some thrifty virtue derives from preserving everything observed. See enough and write it down, I tell myself, and then some morning when the world seems drained of wonder, some day when I am only going through the motions of doing what I am supposed to do, which is write — on that bankrupt morning I will simply open my notebook and there it will all be, a forgotten account with accumulated interest, paid passage back to the world out there.

But our notebooks give us away, for however dutifully we record what we see around us, the common denominator of all we see is always, transparently, shamelessly, the implacable “I.” … We are talking about something private, about bits of the mind’s string too short to use, an indiscriminate and erratic assemblage with meaning only for its maker.

It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.

[Again, Joan Didion.]

Every notebook I have kept since 2002, black hardcover blank paged deeply personal things, was lost in the post sometime in the last three and a half weeks. I’ve deluded myself thinking that they could still be on the way — just a little delayed is all, they’ll arrive tomorrow or the next day. But after three and a half weeks it’s time to give up that space on the book shelf I was holding empty for them. It’s time to fill that space with documents or magazines or other, softcover notebooks with quotes and statistics and hastily-scrawled scraps of stories in them. Not the hardcover ones. Not the black ones. Those are gone.

History is tidalectic, I tell myself. It’s not that I’ve lost those seven years — important years, when I lived in Madrid, in Sackville, in New York, in Paris. These past two months, compounded by having to pack up my things and move across the world again, have already been filled with loss. If life were shaped like an arrow, I would accept this as a defeat. But life is shaped like a tide. It rolls around and it roars, in and out with the cycles. Up and down. It will all come back to me somehow.

One Comment

  1. A Strange Boy A Strange Boy November 3, 2009

    When Geocities was announcing they were closing, I was thinking about all the stuff I had on a website I hadn’t updated in five years.

    And then I realized I didn’t really care anymore. It was a relic of a self that no longer exists and that I’m more than eager to leave behind.

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