I saw an elk for the first time a few weeks ago. We were both out in the rain, a cool layer of mist hiding the mountain peaks from view, darkness creeping up close behind. Wandering along the trees and lost in conversation, I didn’t notice her at first, but nearly dropped my phone when I did. She was so close. Long neck bent toward the grass, her thick coat carrying the honey of a spring that still seemed shy in coming to the Rockies.
I spent part of the past while nestled high in the mountains as a resident of the Banff Centre, where the days stretched out forever and the first grizzlies and black bears were just beginning to stir from their long slumber. I drank in that air like I’d never taken breath before. Before that, it was the Toronto Island for days and nights of writing, listening to the crash and lull of Lake Ontario, and a massive cleansing equinox bonfire. I’d follow coywolf prints on long walks along the beach, and some nights I swear I could hear them yipping demurely in the distance. Thick ice gave way to grassy fields and flowers, and red-winged blackbirds played host to my first vernal welcome in years. I’m lucky to have access to this kind of gentle exile.
Other luxuries: wading through thick snowfalls on soft sand; the intimacy of tall firs and spruces and pines; admiring high tide’s red earth designs along the shore; a hike up Sleeping Buffalo Mountain before sunset; watching storms crawl in and daylight fade away beyond the peaks, beyond the horizon, a disappearing act. It was stunning, in icy shades of blue and grey, but it all felt utterly unreal to me at the time. Beautiful, uncomplicated fictions that demanded nothing.
(I was wrong, of course.)
I’m now back home in Port-au-Prince, where the days grow warmer and the evenings are sticky with rains. There is no other word for PAP right now but home; I haven’t hung around any where this long for at least the past decade. But, familiar as it may be, the city still challenges me. Port-au-Prince is an all-consuming place, the churning centre of a country that extends far beyond its borders, but that can still be difficult to grasp from inside. The Haiti peanut gallery is vast and opinionated, and the daily barrage of radio rumour, political gossip and packaged press releases can only be tuned out while in exile — and even then, much too much noise seeps through. Too many different versions of the same place, and they are all alive and true. I think. While at a distance, the various Haitis changed size, shape and temperature in my mind. Many of the conversations I had about them did not.
“Oh, Haiti?” said Old or New Acquaintance. “You don’t hear much from there these days…” With those last two words, trailing, I’d see their gaze shift and dissolve, mirroring the struggle of an imagination that couldn’t call up any current, concrete vision of this far-off place. There’s a lot going on, I understand. And for many, it is Haiti that’s unreal.
Dark, formless, incomplete pictures of suffering, violence, something vague about a natural disaster. Was it an earthquake? (It was.) Have people recovered? (Not quite.) I take this to heart, as a Port-au-Prince-based journalist, that I’m not doing my job well enough. (Perhaps I’m not.) But even with the wealth of stories already out there — fiction and documentary, earnest and self-serving, saccharine PR and nightmarish condemnation — it remains difficult to break this other hollow, malformed mould. It is a challenge to absorb new visions and versions in a space that’s already occupied by shadow-casting stereotypes, and to know which one of them to trust. When asked, I hardly know where to begin. Even long-time residents may only ever live in one Haiti, tucked away on the mountain or in a dusty compound, confined to a world of VIPs or pats on the back. Seeking and digesting multiplicity requires some faith.
(And, you know, I’m cool with it. Growing up between worlds, between languages, a cultural and class go-between, has served me well. But my own forever-shifting identity, in the context of a place where I’m an “expat” and not an immigrant or diaspora, and the baggage and privilege and strange social circles that come with that, is a separate conversation.)
This is why, in part, I’ve stuck around. Though these places try my patience and break my heart again and again, there are still more to see and meet and taste and berate and dance with and be confounded by. There are ones that have not yet deceived me, charmed me, or beat me at dominoes. There are places and stories that take their time to emerge. They unravel, fleck by fleck, moment by moment, even as they take care to unravel you.