have not written yet
October 23, 2008 by SusanaI got hit with an interview request recently, and some of the questions really threw me off balance. Namely, the ones about about me.
Q: De que formas achas que ser luso-americana te infleunciou na maneira de veres o Mundo e a America?
When I was looking for role models growing up, I desperately wanted to find someone I could relate to, but there was no one in the Luso-Canadian community who was high profile or famous or amazing. I ended up seeking out role models in a few different groups — in the Carribbean-Canadian literary community, in the Latino community, in music, etc. It gave me a really broad, diverse base.
But, the lack of a Luso-Canadian hero was still a disappointment, and somewhat wounding for me as a kid. I feel like there are some deeply-ingrained feelings of inadequacy that a lot of Portuguese and Luso descendants are still struggling with, and I’m still in the process of shaking it off.
I realized that, in absence of my own role models — my own writers and poets and activists and community leaders, paving the way to understanding the world around me — I’ve spent my much of my life clinging to those of others.
I am indebted to the words and actions of Afua Cooper, of Lillian Allen, of Sherene Razack, of the ladies I found at the Toronto Women’s Bookstore, to d’bi young, to a list of DJs and MCs longer than my outstretched arms, and to a huge chunk of the intellectual and artistic East-West Indian communities in Toronto. When I was in want of strong leadership, they allowed me to adopt theirs — and they made me feel welcome and a part. I cannot be anything but forever grateful. But:
Q: Como te defines tanto como pessoa e como jornalista?
I’m still figuring this one out to be honest.
In that giant list of labels that apply—Luso-Canadian, immigrant, Torontonian, journalist, blogger, student, cyclist, activist, traveler, linguaphile, music-lover, dancer, woman, sister, daughter, cousin—I never quite know which to put first. It depends on the situation, I suppose. I don’t tend to be too conscious of who or what I am, until someone starts to ask questions about me or I’m dragged into a space where I feel out of place and alienated.
Overall, and especially in my work, I try to commit myself to the ideas of balance and interconnection, rooting even the smallest details into something bigger. Whether I’m writing about public education or politics or a new record, there is always history to consider, the lead-up to that particular moment in time, and the repercussions to come. There is never only one side to a story, and rarely are there only two sides. I try to use some of the experiences I’ve had growing up, interacting with all sorts of communities, to approach things with different sets of eyes and ears.
I suppose that comes from feeling like I’m part of a grander narrative–I exist in the context of several continents and generations, government policy, artistic movements, communities of people. I can never define myself as simply one thing, because every piece is held up by a dozen other pieces.
There’s only so far you can go on someone else’s experiences and poetry. Generations of illiteracy robbed from me the ability to connect with those who came before me, the paths they wandered, the thoughts they thought. It’s made me restless for that intangible one thing.
I wanted and still want so badly to connect to someone with a voice closer to my own, someone who could speak to my story, my hands, my dirtied, interlocking roots. There’s still time for those pages to be written and those photos to be taken, but please please, do hurry them over my way. I’ve been waiting a long time.


